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Download Achieving Your Potential As A Photographer, by Harold Davis
Download Achieving Your Potential As A Photographer, by Harold Davis
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Achieving Your Potential As A Photographer, by Harold Davis
Download Achieving Your Potential As A Photographer, by Harold Davis
Erfolg ist eine Option. Es ist, was viele Leute sagen, sowie empfehlen andere machen gut tun. Wenn jemand eine Entscheidung Erfolg sein macht, werden sie sicherlich versuchen, große Initiative zu erkennen. Viele Wege sind geplant und durchgemacht. Nichts beschränkt, aber es ist etwas, das vergessen b, könnte. Ich suche für das Verständnis sowie Erfahrung sollte im Plan bleiben sowie Prozess. Wenn Sie immer viel mehr diese 2, können Sie Ihre Pläne beenden.
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Pressestimmen
"[This book] incorporates Davis' signature beautiful imagery and graphic vitality to help every photographer find his or her personal goals. The book is vintage Harold Davis: graphically lively, amply though out and informed by Davis' unique sense of organization and creative vision. It's well worth checking this title out" - Rangefinder Magazine
Über den Autor und weitere Mitwirkende
Harold Davis is an internationally-known digital artist and award-winning professional photographer. He is the author of many photography books. In addition to his activity as a bestselling book author, Harold Davis is a Moab Master printmaker and a Zeiss Lens Ambassador.
Produktinformation
Taschenbuch: 256 Seiten
Verlag: Routledge; Auflage: 1 (5. August 2015)
Sprache: Englisch
ISBN-10: 1138826367
ISBN-13: 978-1138826366
Größe und/oder Gewicht:
22,9 x 1,9 x 22,9 cm
Durchschnittliche Kundenbewertung:
Schreiben Sie die erste Bewertung
Amazon Bestseller-Rang:
Nr. 2.393.377 in Bücher (Siehe Top 100 in Bücher)
After watching a YouTube video of Harold Davis present his photographic art to a live audience (perhaps at B&H, I forget) and found his work to be exceptionally creative. Mr. Davis also talked about his books in this video and so I looked for his books on Amazon, and decided to try this one. I'm more than half-way through the book and have read many of the workbook exercises and have begun to fill in some of the forms. It will certainly help any photographer at any level to read this book, and would not hurt any photographer no matter their goals or practice.I studied film photography in a fine arts college when I was much younger, and have switched over to digital. With my fine arts background, I especially like this book since the author is at heart an artistic photographer and understands the importance of art and design in his approach and in the manner in which he writes about the practice of photography. This is what is needed, since the art of photography, or art and design in general in relation to photography, are the most important aspects that should drive any photographic practice.Much of what is in this book reinforces what I already know and understand and even expands upon it via the nuances of ideas presented. (In other words, it may not be particularly new info for an artist who reads this book, but there is a love and respect for the art of photography that comes through and that is hard to find!). The author isn't jaded, burned-out or apologetic, and more than that, he obviously has sincere intentions to instruct, inform and help others to grow and move forward with their photography using his own thought-provoking experiences and samples of his own photographs along with details on how he made each image. (As opposed to many videos and books where other intentions are apparent).The book is intelligent, sincere and a good companion for me since I'm in a rural remote location. I would have given this five stars but I didn't need the trite Rule of Thirds that the author probably found necessary to include for various reasons that have to do with putting together a book that will no doubt be available for many years.As I said, I've only read to page 132 so far and the main part of the book goes a few pages over 200 (not counting the Workbook section).
There are billions of pictures taken every day. How can you make ones that compete?Over a billion pictures uploaded to Facebook/Instagram/500pix/etc. every day. How can yours stand out?A better camera/lens? No, as almost all modern cameras and high end cellphone cameras are enough to make excellent pictures.A tripod? A tripod can help, but think of Ansel Adams "There is nothing worse than a sharp image of a fuzzy concept". More is needed.Concept. Imagination. Practice. Knowing your camera. Knowing post-processing. Curating. Finding your audience.This book isn't a quick fix to improve your photography. Rather it provides guidance and exercises on your journey to improved photography in areas most photography books don't.Recommended!Disclaimer: I have taken a number of Harold's workshops and I think I've bought all of his books. I like Harold and have found his advise the most useful of any photographer in improving my photography. Strongly recommend.Greg Edwards http://www.viewbug.com/member/gregedwards
Update: My first book did arrive with only 31 pages. The second book arrived with 46 workbook pages. THAT IS THE CORRECT COUNT OF THE WORKBOOK.I was sensitized by the incorrect page count of the first book and misled by the back of the book that states a "48 page workbook". Apparently, the 48 page count includes non-content pages. Again, the workbook ends on its page 46.THE book is wonderful, the workbook not so much. My first book arrived with only 31 pages of 48 pages of workbook. Second book from Amazon a bit better: 46 of 48 pages. No response from the publisher, Amazon can not seem to be able to look at last page number and see page 48 of workbook as stated on last page of book itself! Yes, I can download from Harold Davis's web site and have done so, but the book is devalued by the incomplete workbook.
I now own nearly all of Harold Davis's books which I find to be the absolute best resources available for learning to be better at the craft of photography. Harold explains what to do in clear concise terms but more importantly he explains why you do it.Several times during the read I felt the urge to go out and try the technique. One process in particular explained how to create a composite image of a bridge under which was a portal to another world. I was inspired by this technique so I went to a local park here in Beijing and took a shot of a very attractive arched bridge. I then created an image, using an old picture I had of Tunnel View at Yosemite to composite a product I was quite pleased with.I highly recommend this book, and all of Harold Davis's others, for any photographer at any level. Nobody explains the art of photography better than Mr. Davis.
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